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	<title>Comments for metropolis</title>
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	<link>http://metropolis.free-jazz.net</link>
	<description>on-line source for jazz, free jazz, improvised, innovative, adventurous and unheard music and dangerous poetry. We listen to music and read artists who don\&#039;t even exist yet. This page belongs to the Metropolis media group.</description>
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		<title>Comment on dorothea grossman &#124; 4 poems by Richard Tabnik</title>
		<link>http://metropolis.free-jazz.net/dorothea-grossman-4-poems/photography/7948/comment-page-1/#comment-2301</link>
		<dc:creator>Richard Tabnik</dc:creator>
		<pubDate>Mon, 07 May 2012 21:07:22 +0000</pubDate>
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		<description>Great work, Mark!

R.I.P., Dotty...</description>
		<content:encoded><![CDATA[<p>Great work, Mark!</p>
<p>R.I.P., Dotty&#8230;</p>
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		<title>Comment on mark weber &#124; my photo by Mark Weber</title>
		<link>http://metropolis.free-jazz.net/mark-weber-my-photo/photography/6090/comment-page-1/#comment-1902</link>
		<dc:creator>Mark Weber</dc:creator>
		<pubDate>Fri, 17 Feb 2012 20:47:07 +0000</pubDate>
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		<description>More from my field notes:
 
H.Ray Crawford Quartet
March 30, 1980
Widow Brumms, Indian Hill Blvd, Pomona
(south of Rt.10 about two clicks)
H.Ray -- guitar
Charles Dumas -- drumset
Keith Hanratty -- Hammond B3 organ
Harold Howard -- trumpet
 
&quot;Alone Together&quot;
&quot;Shiny Stockings&quot;
&quot;Ain&#039;t No Sunshine&quot;
&quot;Motherless Child&quot;
&quot;Green Dolphin Street&quot;
&quot;Stormy Monday&quot;
and a fanfare I didn&#039;t catch the name
+ three full sets of music in this
supper club</description>
		<content:encoded><![CDATA[<p>More from my field notes:</p>
<p>H.Ray Crawford Quartet<br />
March 30, 1980<br />
Widow Brumms, Indian Hill Blvd, Pomona<br />
(south of Rt.10 about two clicks)<br />
H.Ray &#8212; guitar<br />
Charles Dumas &#8212; drumset<br />
Keith Hanratty &#8212; Hammond B3 organ<br />
Harold Howard &#8212; trumpet</p>
<p>&#8220;Alone Together&#8221;<br />
&#8220;Shiny Stockings&#8221;<br />
&#8220;Ain&#8217;t No Sunshine&#8221;<br />
&#8220;Motherless Child&#8221;<br />
&#8220;Green Dolphin Street&#8221;<br />
&#8220;Stormy Monday&#8221;<br />
and a fanfare I didn&#8217;t catch the name<br />
+ three full sets of music in this<br />
supper club</p>
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		<title>Comment on mark weber &#124; my photo by Mark Weber</title>
		<link>http://metropolis.free-jazz.net/mark-weber-my-photo/photography/6090/comment-page-1/#comment-1901</link>
		<dc:creator>Mark Weber</dc:creator>
		<pubDate>Fri, 17 Feb 2012 19:56:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.m-etropolis.com/wordpress/p/mark-weber-my-photo/en/#comment-1901</guid>
		<description>From my field notes -- April 21, 1980 --
club gig at Widow Brumms, Pomona, California
-------------------------------------------------------------------------
Tunes:
 
&quot;Another You&quot;  -- H.Ray bebops the hell out of this one.
 
&quot;The Shadow of Your Smile&quot; -- during his solo H.Ray went into funk vamp
       and loud grunting scatting along with gritty solo.
 
&quot;Pick Me Up&quot; -- H.Ray said was about a pick, the plectrum [a joke]
     He said from the stage: &quot;The tune is fast. So, you&#039;ve  got to pick
      up and down. I wish there was somebody up here who could play
      it because I can&#039;t. It features our percussionist Charles Dumas.&quot;
 
&quot;Motherless Child&quot; --  H.Ray: &quot;This tune is for everybody who didn&#039;t go
       to church last Sunday.  Boy, everybody&#039;s got a guilty look on
       their face (laughter) This is a spiritual called Motherless Child.&quot;
         Ray takes this song into the alley, smoking, bump &amp; grind,
         deep soul music from deep inside Black.
 
&quot;Days of Wine and Roses&quot; -- H.Ray in his solo falls out of the tune and
       goes into another number from his repertoire, I can&#039;t recall the
       name, then he goes freeform for awhile before returning to &quot;Days&quot;
       and out.
 
H.Ray was a regular member of Jimmy Smith&#039;s band at this time, playing
at the Jimmy Smith Supper Club out in the San Fernando Valley.
 
&quot;Willow Weep For Me&quot; -- gorgeous. Harold Howard takes a touching
      trumpet solo. [ Harold was my running buddy those years.]
 
At the break H.Ray explained to me that the pick guard on his
Tal Farlow Gibson model guitar is off of a Gretsch. It&#039;s over-size, so,
one of his switches is obscured under it.
 
He says, &quot;That&#039;s what jazz is about: rapping with your friends, having
a little taste, having something good to eat, and playing good music.&quot;
 
Note:  H.Ray was a teetotaler and didn&#039;t use drugs -- and from what I
could gather, I doubt that he ever did.   &quot;a little taste&quot; usually refers
to a nice mixed alcoholic drink but not always.
 
&quot;All Blues&quot; -- H.Ray at heart is a saxophonist -- more on that later --
      but he was as good as it gets as a guitarist, too.
 
&quot;Green Dolphin Street&quot; -- Hardcore swinging bebop.  A couple tried to
     dance but it was too difficult to dance to bebop.
 
*Al Harrell, who lives in Claremont, played the drums the last set, sings
        and plays organ.
 
 
 
 
 
 
 
 
Ray&#039;s wife at this time:  Mariane Crawford</description>
		<content:encoded><![CDATA[<p>From my field notes &#8212; April 21, 1980 &#8211;<br />
club gig at Widow Brumms, Pomona, California<br />
&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<br />
Tunes:</p>
<p>&#8220;Another You&#8221;  &#8212; H.Ray bebops the hell out of this one.</p>
<p>&#8220;The Shadow of Your Smile&#8221; &#8212; during his solo H.Ray went into funk vamp<br />
       and loud grunting scatting along with gritty solo.</p>
<p>&#8220;Pick Me Up&#8221; &#8212; H.Ray said was about a pick, the plectrum [a joke]<br />
     He said from the stage: &#8220;The tune is fast. So, you&#8217;ve  got to pick<br />
      up and down. I wish there was somebody up here who could play<br />
      it because I can&#8217;t. It features our percussionist Charles Dumas.&#8221;</p>
<p>&#8220;Motherless Child&#8221; &#8212;  H.Ray: &#8220;This tune is for everybody who didn&#8217;t go<br />
       to church last Sunday.  Boy, everybody&#8217;s got a guilty look on<br />
       their face (laughter) This is a spiritual called Motherless Child.&#8221;<br />
         Ray takes this song into the alley, smoking, bump &amp; grind,<br />
         deep soul music from deep inside Black.</p>
<p>&#8220;Days of Wine and Roses&#8221; &#8212; H.Ray in his solo falls out of the tune and<br />
       goes into another number from his repertoire, I can&#8217;t recall the<br />
       name, then he goes freeform for awhile before returning to &#8220;Days&#8221;<br />
       and out.</p>
<p>H.Ray was a regular member of Jimmy Smith&#8217;s band at this time, playing<br />
at the Jimmy Smith Supper Club out in the San Fernando Valley.</p>
<p>&#8220;Willow Weep For Me&#8221; &#8212; gorgeous. Harold Howard takes a touching<br />
      trumpet solo. [ Harold was my running buddy those years.]</p>
<p>At the break H.Ray explained to me that the pick guard on his<br />
Tal Farlow Gibson model guitar is off of a Gretsch. It&#8217;s over-size, so,<br />
one of his switches is obscured under it.</p>
<p>He says, &#8220;That&#8217;s what jazz is about: rapping with your friends, having<br />
a little taste, having something good to eat, and playing good music.&#8221;</p>
<p>Note:  H.Ray was a teetotaler and didn&#8217;t use drugs &#8212; and from what I<br />
could gather, I doubt that he ever did.   &#8220;a little taste&#8221; usually refers<br />
to a nice mixed alcoholic drink but not always.</p>
<p>&#8220;All Blues&#8221; &#8212; H.Ray at heart is a saxophonist &#8212; more on that later &#8211;<br />
      but he was as good as it gets as a guitarist, too.</p>
<p>&#8220;Green Dolphin Street&#8221; &#8212; Hardcore swinging bebop.  A couple tried to<br />
     dance but it was too difficult to dance to bebop.</p>
<p>*Al Harrell, who lives in Claremont, played the drums the last set, sings<br />
        and plays organ.</p>
<p>Ray&#8217;s wife at this time:  Mariane Crawford</p>
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		<title>Comment on mark weber &#124; a note considering the charlie parker discography by gloria benedetti</title>
		<link>http://metropolis.free-jazz.net/mark-weber-a-note-considering-the-charlie-parker-discography/reviews/8281/comment-page-1/#comment-1899</link>
		<dc:creator>gloria benedetti</dc:creator>
		<pubDate>Wed, 15 Feb 2012 22:35:11 +0000</pubDate>
		<guid isPermaLink="false">http://metropolis.free-jazz.net/?p=8281#comment-1899</guid>
		<description>Re: Charlie Parker and Dean Benedetti. Compiling archives from the family and want to talk about them. Thanks, Gloria</description>
		<content:encoded><![CDATA[<p>Re: Charlie Parker and Dean Benedetti. Compiling archives from the family and want to talk about them. Thanks, Gloria</p>
]]></content:encoded>
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		<title>Comment on j.a. deane &#124; conducts by mark weber / jazz for mostly &#187; Blog Archive &#187; Standing Next To Myself &#124; Zerx 064</title>
		<link>http://metropolis.free-jazz.net/ja-deane-conducts/artist-portraits/5728/comment-page-1/#comment-1756</link>
		<dc:creator>mark weber / jazz for mostly &#187; Blog Archive &#187; Standing Next To Myself &#124; Zerx 064</dc:creator>
		<pubDate>Thu, 19 Jan 2012 14:01:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.m-etropolis.com/wordpress/p/ja-deane-conducts/en/#comment-1756</guid>
		<description>[...] NW, Albuquerque &#8212; a Sunday afternoon session &#8212; January 9, 2005 with Dino&#8217;s band OUT OF CONTEXT. J.A.Deane &#8212; conductor, CK Barlow &#8212; live sampling, Stefan Dill &#8211; sarod, Sam [...]</description>
		<content:encoded><![CDATA[<p>[...] NW, Albuquerque &#8212; a Sunday afternoon session &#8212; January 9, 2005 with Dino&#8217;s band OUT OF CONTEXT. J.A.Deane &#8212; conductor, CK Barlow &#8212; live sampling, Stefan Dill &#8211; sarod, Sam [...]</p>
]]></content:encoded>
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